Archives for May 26, 2023

And We’re Rolling…

Students Go Live in State-of-the-art Experience Lab

By Deborah Shanahan

On a March Friday night, with spring football curiosity running high, University of Nebraska–Lincoln Athletic Director Trev Alberts sat for a live interview on the new set of Nebraska Nightly, a student-led newscast.

It was quite a score for Nathan Hawkins, a senior from Bellevue, Nebraska. The sports media and communication and broadcasting major said he had prepared all week for the exclusive interview.

Afterward, Alberts told an interviewer that he was impressed by the investment the university has made to give journalism students the tools they need to develop their skills.

“People should know the technology here is amazing,” Alberts said. “There’s a lot of talent in the room, you can tell. A lot of passion.”

Passion is a word several students also used to describe what they’re drawing from the College of Journalism and Mass Communications’ heavy emphasis on experiential learning, along with practice, portfolios and professional contacts.

“I’m jealous of freshmen who will have this their entire careers here,” said Lance Vie, a senior broadcasting major from Fontanelle, Nebraska. “Look around at this nice new studio. Students sit in front of the equipment and their eyes light up. It’s all stuff they want to learn.”

Journalism colleges long have strived to offer real-world experiences, but usually after a year or two of basic skills learning. At UNL, under the leadership of the College of Journalism and Mass Communications Dean Shari Veil, MBA, Ph.D., the college’s motto is “do from day one.” Beginning this year, freshmen are required to enroll in an Experience Lab course their first semester on campus.

“Practice makes perfect, and we’re all practice all the time,” said Jemalyn Griffin, co-director of the Experience Lab. 

The interdisciplinary lab breaks down barriers and silos, Griffin said, giving students a broad sense of different areas of opportunity. “We hope to respond to what the market is demanding,” she said.

The early access to hands-on experiences is already boosting enrollment. Veil wrote in December that the college’s 16.3% growth in incoming freshmen led the university, and transfer enrollments more than doubled.

A hub of this hands-on learning is the Don and Lorena Meier Studio, which opened in November in Andersen Hall. The foundation established by the couple pledged $10 million for scholarships over the next 25 years and $755,000 for the new television studio and newsroom.

The Meiers were familiar with quality broadcasting through their own media careers, which included producing the well-known “Mutual of Omaha’s Wild Kingdom.” Don Meier, who died in 2019, wanted to assist students because he recalled his own struggles to afford college. 

The investments have continued, Veil recently told donors in a letter, citing the Phil Perry Family Photography Studio and Classroom, a new radio tower and antenna on Oldfather Hall, the new Pepsi Unlimited Sports Lab and more sponsors for student-run advertising agencies. 

The Pepsi Unlimited Sports Lab serves the fast-growing sports media and communication major, which was established in 2017 and enrolled 300 students as of last fall. The space features state-of-the-art equipment, which allows students to go live during sports broadcasts. 

Advertising and public relations majors mostly work across the street from the studio at what’s known as The Agency — 14 offices customized and furnished by sponsoring firms.

In all, the Experience Lab spaces house Unlimited Sports; Jacht, a student-run advertising agency; Buoy, an advertising and public relations agency for nonprofits; KRNU, the campus radio station; Heartland Pulse, an online community magazine; the Nebraska News Service, a statewide wire service; and Nebraska Nightly, a recorded news show.

Students working in the Meier studio spaces and newsroom have provided coverage of election night, the Nebraska Legislature and other news, feeding the Nebraska News Service.

“Over and over, we see weeklies pick up our content,” said Jill Martin, co-director of the Experience Lab. A Panhandle newspaper usually is not going to have the staff to send to Lincoln for a legislative hearing, she said, so it’s truly a service when students provide the coverage.

Students work four to six hours a week in the lab. From their work, students build portfolios to show potential employers.

“Young professionals I’ve spoken to are blown away by the opportunity we get right from the day we start college,” said Paige Brophy, a junior advertising and public relations major from Lincoln. “We’re exposed to real-life work for real-life clients. Our ideas are implemented in the real world.”

Students praise the chances they get to work with industry professionals and to take on leadership roles themselves because of the Experience Lab’s human infrastructure. 

Volunteer professionals-in-residence and paid student leads help to coach students from idea to production, providing technical know-how, guidance and feedback.

Odelia Amenyah, a senior from Omaha majoring in advertising and public relations and journalism, said she works with fellow students on interviews and gathering other components of content packages. The Experience Lab is a great setup for when students want to team up, she said. 

The student lead role is not just about production, Martin said.

“We talk a lot about cultivating leadership, managing up and down, communication and collaboration,” she said.

The professionals-in-residence share best industry practices and get a chance to observe and interact with students for their own recruiting. 

Kloee Sander, a senior from Lincoln, said her college connections led to several off-campus work experiences, including several months at a local television station. She was exposed to the behind-the-scenes work of getting an investigative report on the air. Now, she is headed to law school after she graduates in May.

“I saw the impact a lawyer can have on newsroom storytelling,” she said.

For sports broadcasting major Hawkins, watching students create something they are proud of has been one of his favorite parts of working in the lab. But nothing beats the assignment today.

“Overall, the best part is doing what I’m doing today,” Hawkins said. “The Alberts interview.”

“For me, it’s been a really great place to communicate with different faculty, to build relationships with them. That’s led to different opportunities. It’s helped with my portfolio, and I’ve had a chance to show management skills."

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Hope in the Darkness

Students Learn the Art of Moving Forward Through the Work of Holocaust Survivor Samuel Bak

By Robyn Murray

The boy stands with his hands in the air, despair and fear in his eyes. His body, scarred and pitted in stone, seems to emerge from a gravestone riddled with bullet holes. He holds a sling shot in his hand, a doomed defense against crushing force.

The painting, Icon of Loss, For the Many Davids, by Samuel Bak, captures and transforms an iconic image from the Holocaust of a young boy with his hands up, being marched to his death or another wartime horror. The original image, which became known as “Warsaw boy,” was captured by a Nazi photographer trying to document his efficiency as an executioner.

As Bak writes in his memoir, Painted in Words, the boy could have been him: “the same cap, same outgrown coat, same short pants.”

Bak, a Lithuanian-American artist, was born in 1933 in Vilna, Poland, a city whose population of 60,000 Jews was annihilated during the Holocaust. By some accounts, as few as 2,700 Jews survived. Among them were Bak and his mother, who spent much of World War II hidden in a convent, aided by a Catholic nun. By age 11, Bak had lost his entire extended family, including his father, who was murdered days before Vilna’s liberation.

“The Holocaust was a laboratory of human behavior,” Bak said in a recent interview. “It taught us to see that in each one of us was the best and the worst.”

As a child, Bak was already a prolific painter. His first exhibit, at age nine, was organized by two poets he befriended while living in the Vilna Ghetto. Today, his work is featured in galleries around the world, and his vast collection — he reportedly can be working on 120 paintings simultaneously — is considered a seminal representation of the Holocaust and Jewish experience.

Bak’s work is particularly valuable as a teaching tool. His use of symbolism provides the viewer with a means to absorb difficult subject matter.

“They are windows into an alternate reality,” Bak said. “And in that reality, what they see are remains of a world that once existed and remains that have tried to reconstruct, somehow.”

Mark Celinscak, executive director of the Sam & Frances Fried Holocaust & Genocide Academy at UNO, has long recognized the value of Bak’s work in education.

“The art of Samuel Bak helps teachers and students make important connections between history and the moral choices they confront in their own lives,” Celinscak said.

Celinscak had incorporated Bak’s work into his curricula for years when he began a quest to bring the artist and his work to Omaha. In 2019, Witness: The Art of Samuel Bak drew approximately 4,500 visitors, including more than 2,000 middle and high school students, over its three-month run.

Moved by the response to his exhibit, Bak gifted a massive collection of his work — 512 pieces that span several decades — to UNO. And in February, Samuel Bak Museum: The Learning Center opened with a curated exhibit of his work and a series of events that welcomed 600 students, faculty and community members.

The museum is currently housed in a temporary space in Aksarben Village, but the goal is to find a permanent home for Bak’s collection on campus. It’s an ambition that will require private investment. The move is being led by a veteran of development, public administration and museum leadership, Hillary Nather-Detisch, who was hired as executive director in July 2022.

“The vision is a space where we talk about social justice, human rights, the Holocaust and genocide,” Nather-Detisch said. “It’s a conversation starter.” Nather-Detisch said the museum will bring people together to tackle hard questions about the nature of humanity, our shared history and our present. She envisions it as a versatile tool for educators that inspires hope despite the darkness of its subject matter.

“Sam’s work is an expression, yes, of his experience in the Holocaust, but it’s really about moving forward and how, for him, it’s a process,” said Nather-Detisch. “That’s how he’s processing everything that he experienced. It’s about hope … it’s about how do we move forward?”

That is one question Samuel Bak Museum: The Learning Center will encourage students and community members to wrestle with.

“My aspiration is to make people wonder and question all the assumptions that they have,” Bak said, “and try to understand the world in which we live.”

At 89, Bak continues to paint prolifically, charged with a sense of urgency to tell his story. He once said he wishes he could paint “one million of these Warsaw boys, for the number of children who were murdered.”

But the dozens Bak has painted live on, forever with their hands raised, for all those lost — broken but still present, haunting but hopeful in their resilience. As long as Bak’s paintings survive, so do they, each child given new life through the eyes of those who see them and remember their story.

Samuel Bak Museum: The Learning Center is free to the public. All ages are welcome. Visit bak.unomaha.edu for more information and upcoming events. Or visit the museum in person at 2289 S. 67th St., Omaha, Nebraska.

"The art of Samuel Bak helps teachers and students make important connections between history and the moral choices they confront in their own lives."

Icon of Loss, For the Many Davids, by Samuel Bak

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